2017 reissue , love what you feel spreads the love around to four different artists for its third release.

limited numbered reissue, 45rpm half-speed remastered. pressing on triple 180 gram vinyl with etching on side f, housed in a gatefold sleeve with download code included.

hard techno not for the faint hearted!! as we move forward, corseque records introduces a concept which we simply call faction. a series of joint releases between artists from different corners of our beloved scene and label head ascorbite. for the second record we are pleased to have with us italian producer warind (warind records, instruments of discipline, overdraw).

first va release from delusion..delusion started at the beginning of 2016 in bremen, with a same-titled event series in different venues/spots hosting some national and international guests, delusion now offers its own musical output. a project which isn t bound to any specific sound, moving between ambient, drone, experimental but mainly techno, hardware based and analog influenced structures form harsh resonator sounds in context to playful arpeggiators and deep buzzing basses on sweet acid. delusion creates unknown atmospheres.

the invisible are releasing a special remix ep featuring reworked tracks from their critically acclaimed album ‘patience’. released via ninja tune, ‘patience’ saw the mercury prize nominees demonstrate their more uplifting side, giving the listener a sense of the band’s “joy and gratitude” for being alive, with features from anna calvi, sam shepherd (floating points), connan mockasin and rosie lowe.
this new ep shows 4 tracks from the lp in a different light. “love me again” featuring anna calvi is remixed twice, first by london based, rhythm section member, chaos in the cbd and second by fellow rhythm section associate, fyi chris. warp records duo darkstar provide a hypnotic remix of ‘so well’ and finally milionhands music label boss, tee mango steps up for his “summer daze revision” of “k town sunset” featuring connan mockasin.
180g heavyweight black 12- vinyl in 12” brown recycled uncoated card sleeve with holes.

restive plaggona is the music project of the corfu-based artist dimitris doukas –also producing under matriarchy roots, leftina osha and plaggona-. after releasing a series of cassettes in different labels along 2016 and 2017 –including his own several minor promises- “leaving the body” arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. driven by a deeply expressive narrative, restive plaggona makes a strong statement about his post-industrial vision adding technoid inclinations in a delightful dystopian world.

restless mashaits hailing from geneva are based around the core of jil and stuf. they released a sizeable amount of new roots classics throughout the 90s and 00’s. recently becoming active again, they are best remembered for the sessions they recorded at kingston, jamaica in the mid/late 90s with legendary musicians such as vin gordon, deadly headly and dizzy moore. the original releases have been since long deleted, but some are now unearthed thanks to partial records. * lion’ from 1996, features the legendary jamaican percussionist scully simms (who recently passed away) and was in every box of all serious roots selectors back then. now long deleted, this will fill in the gap for the many collectors who have this on their wants lists. dub lion’ is a different dub version to the one previously released in 1996.

(boscoexv21 – 5.49€) after the last acclaimed pretty eyes ep, and releases on slow town, fly by night and messalina -don- riccio is back on bosconi extra virgin with a new four tracker ep fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.the record begins with the romantic vibe of the deep house and jazz-fusion oriented tune -here you are- , followed by the mid tempo jam of -marcela- where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track -please-, as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover -tessie- closes up the ep with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere. more richness in club music for your incoming summer!

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks. * an introduction part 1 calls upon artists from different corners of the globe who share the similarity of undeniable soul and expression in their music. the ep has an earthy, worldly feel to it. from the swahili sung harmonies on mim suleiman’s ‘pole pole’, to the afro influences of swiss collective alma negra’s ‘onga’, both tracks work raw percussion with just enough swing that either would sit comfortably within latenight uk dance floors or on the sun-kissed beaches of pula, croatia – dimensions festival’s home. then there’s the jazz-tinted glow of istanbul’s kerem akdag whose ‘getdownsoclose’ deep roller makes use of lush pads and rushing snares. closing is maryland’s james tillman, who’s soulful vocals on ‘wander’ sit gracefully over transcendental keys and compellingly loose drumming, rounding off part 1 with a dose of the soul.

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks.
an introduction part 2 turns the heat up with more dance floor leaning contributions from four american artists. from long established names such as lady blacktronika to relative newcomer byron the aquarius, each artist delivers a different but equally powerful piece. marcos cabral’s ‘prochainement’ is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst byron the aquarius drops his signature dose of funk into ‘full moon’. one of the standout breakthrough artists of last year, the atlanta producer has been part of the dimensions team for some time. queen of beatdown, lady blacktronika steps up with a timeless, tripped-out house classic for her contribution ‘can we still be friends?’, her vocal oozing melancholy. rounding up is dj aakmael with ‘transit’, a raw, flexing cut that we’ve come to expect via his massively impressive output and his own superb imprint, unxpozd entertainment.

ian blevins has been busy making a name for himself on esp institute and futureboogie, but now he comes to not an animal with a slightly different approach that still speaks to the skills the upstart producer has in his sonic arsenal. -the birds- is a focused, steady-tracking cut for the deeper end of the night, but there s some serious weight in those drums and the heavily processed vocal snippets pack plenty of malaise. man power then step up with a -tropical bastard- remix of the original, cracking the curtains to allow a little light into the mix but stopping short of over-cooking the mood. -locate yourself- on the flip finds blevins in tracky techno mode, and it turns out it s a style he can nail just as easily as the more organic tones he s known for.

these ones keep floors moving! championing an inimitable groove, the possé present three club ready tracks on their season s greetings ep, combining the know-how of house with the energy and spontaneity of a live band set up. recorded at the legendary citisound and rec studios in sydney, the tracks on ken004 each deliver different perceptions of the up-tempo house beat they’re quickly becoming known for. the title track is probably the heaviest delivery from the label to date, highlighted by the iconic drip of the tb-303. cheeky guitar licks and 808 rhythms jump in and out of the tracks on the ep, keeping it fresh on the live tip.

vinyl did it releases vdi002 & vdi003 bundled up for one special price!

dodi palese is back with his third ep on what ever not, the label he cofounded with dan mela.as his discography tells, dodi speculiarity is surely to mix together different genres andsounds, trying to avoid any classifications. in slightly ep this is confirmed, funky raids in child goes funky , african groove for birdsong and raw sounds in slightly . we hope you

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.

re-release from 2012 12inch whitelabel, limited to 250 hand stamped and numbered copies. the first 12&#8243, by berlin based bass music collective and label through my speakers is produced by their very own radar bird. this ep ignores genre boundaries by blending influences of hip hop and electronica into drum and bass, juke and house garments. radar bird is neither a person nor an animal, its primary music and about the love. the love for birds, and machines, programs and humans, knobs, ones and zeros. already played by dbrigde, dj stingray, sinistarr, sarah farina, kabuki, scratcha dva, zed bias, norwood soul patrol and more. releases on stil for talent under different moniker - airplay on rinse fm, nts, radar radio

it s now time for one of resopal s current crop of exciting young producer teams to get a step up: the two producers debut on the label with a 12- ep entitled fresh trax. this is a versatile ep with three different tracks in the fields of house that have great range, and more than enough skill to pull off many different tricks.

we ve waited a long time to bring you this, and finally, tiger stripes presents the 6th release on his strange idols label, and what a track this is, so worth waiting for! from its beginnings as a moodymann secret weapon, you could already hear the potential for underground techno greatness. running is both haunting and seductive... underground but strangely familiar... artificial but still organic...a living breathing techno organism...a creature of the dark.... a siren s call... let yourself be drawn in, let the voice seduce you... surround yourself with that rhythm... drown yourself in that groove...! san proper heard it a little differently and gave us his take on it, and gave life to a different kind of monster, way too powerful to contain. so we give you two different versions that share the same fundamental dna, two versions that are both so completely unique but still two equal parts of the same fantastic organism. strange idols will lead those who are willing.

weÆre now halfway through the treisar series and moscoman shows no sign of slowing down. next up is donkey jumps ahead. the sixth chapter kicks off with big jack arbon, an unambiguous summer anthem tied up by digital steel drums and pitched chants. on the flip, things forgot to be this way calls for the never-ending daze of the afterhours with disco infused melodies and distant vocals floating atop doped down beats. closing track unheard melody sets a different pace. wistful mediterranean guitars pick unhurried melodies while delays cloud the track in just the right amount of sleaze.

thallulah, william medagli & jose maria ramon join together to produce an ep of three tracks released on vinyl by the italian petra beat records. gathering soul is an hypnotic journey through different kicks, grooves and melodies. the three tracks, gathering for love , 47 raw 34 and soul jacker , make you move and leave your troubles behind. it s not a bad result at all, when it comes to electronic music.

after their highly regarded debut on attic music called “laq 02” back in may 2016 boston 168 are back with a 4-track spanning release named “khidi raver”.
again, the italian duo delivers a well balanced release that cleverly touches different sides of modern day techno music. from the slow paced chug “khidi raver” to the emotive tones of “blu bridge”, the a-side already showcases the duo’s versatile pallette.
on the b-side we find an acidic growler named “j the master” which is heavy arms material for the festival season. label owner fabrizio lapiana offers a haunting remix of “khidi raver” to close down the record.

when talking about the current status of house and techno in brazil, the names davis and zopelar will inevitably pop up. the two fgureheads of sao paulo s vital electronic music scene are both responsible for the in their feelings label, as well as being known as residents of the odd collective, a very popular off- location event series. this summer, they will play several gigs in europe, including some highlights in germany like the melt! festival, panoramabar and robert johnson. it s defnitely the perfect timing now, to drop their debut ep on connaisseur and we are certain that this release will cause some major waves. three tunes for three different occasions. enjoy the diversity! try catching davis & zopelar at one of their europe gigs. more info can be found on their facebook profles.

having remixed depeche mode and dj hell as well as releasing a new fixmer/mccarthy single with douglas mccarthy (of nitzer ebb), 2017 has already proven to be a productive year for terence fixmer. with the new force ep, the berghain resident follows up on 2016 s beneath the skin ep (o-ton 97), offering four stylistically different but congenial techno scenarios for club use. the record s eponymous track on a1 doesn t think twice: the initial signal horn starts as sudden as the staggered kick drum rhythm, reoccurring throughout the cut s 6-minute playtime while sustained and oppressive screams from a synth, extra multifaceted ebm percussion and synth drones add to the overall sombre atmosphere of ôforceö. the musical vibe distinctly changes with ôsidewalkö which puts more focus on synth melodies û like its predecessor a techno cut per se, but with a stronger accent on hypnotic motifs. on b1 ômelting planetsö emphasises the kick: clocking in slightly slower than the other three tracks û at 122 bpm û the bass drum here sounds extra vivid, ever-present and spot-on, just as if terence was playing the drum kit sitting right next to you. with additional percussion and swirling melodies ômelting planetsö is a lulling, mesmerizing meditation in dub techno. ôstriking patternsö on b2 links to the best moments of force ep s a-side, combining bone-dry bass drum hits and distinctive brazen, banging noises, pulsing synths pads and sizzling surface sounds.

play !t loud deliver their third release, another essential v/a featuring dj different, s olbricht, hymns and rico casazza with melanie houston. this one’s vinyl only.

as we move forward, corseque records introduces a concept which we simply call faction. a series of joint releases between artists from different corners of our beloved scene and label head ascorbite. first in line to cover the a side is parisian producer hemka (float records/decoy records/green fetish records).

as second release daphian launch the first chapter of a larger series of various artists named -shadow plays-. the meaning behind it s to build a record that mix different shades of sounds with house flow as common denominator, which is at the moment the soul of the label. moreover, the result is suitable for differents kinds of dancefloors. in the a side there are two tracks with dark and hypnotic textures, whereas the b side mark out enchanting and warmth sounds.

on the back of chip wickham s fabulous debut album la sombra come two quite different but equally mouthwatering remixes of two of its tunes. on the a-side, detroit house stalwart extraordinaire andrés grabs red planet by the ear and drags it straight to the dance floor. and he means business: no beating around the bush with intros and the like â€,“, it s hands in the air and go from start to finish. relentless. the other a side, a.k.a. aa side, is for l.a. s ambassador of avant-garde and spiritual music carlos niño. rather than remixing the album s title track in the strict sense of the word, his spaceways radio edit adds a subtle and otherworldly flavour to it, extending the mix with some gorgeous ambient washes. la sombra (lovemonk, january 2017) is chip wickham s first album after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, latin and electronica. it s a monumental record for chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz, and pay testament to his heroes roland kirk, yuseef lateef & harold mcnair.

folding citys debut on through these eyes is charged with exerting drum rhythms and high-energy movement throughout. the a-side enthralls with psychedelic string plucks and silky smooth, even trance-inducing arrangement. livid percussive movements, powdered with delays and tribal grooves, are creatively used - as well as haunting, emotive pads. ‘museling’ is a different beast to witness, starting off with hypnotic arpeggios and taunting, grimy vocals, anticipating the impact. swift hi-hats race along an intensely stomping bass-line, pervaded with gritty but fluid motion - resulting in extraordinarily energetic music. the two-sided single elegantly shares the same signature sound, each track complementing the other.

fresh from charming the pants off us with the verdant echoes from the southern place 12-, italian producer piero paolinelli is back as sofa talk with a new single striding out on the ever fantastic tusk wax. this 12- comes steeped in different shades of party music, from the bouncy organ chords and motor city leads of -disquiet- through to the slickly diced up boogie tones of -elastic-. as well as paolinelli s mighty fine originals, the remixes come from some big hitters. ad bourke gets on board to turn -disquiet- into a energised, bubbling house burner while posthuman brings some of his trademark tough acid touches to elastic-.

last year producer and dj eddie c released his third endless flight album “on the shore” - a compelling musical trip of drifting repetition in rhythm and melody. now he drops a new ep, consisting of three new track and “auf der ufer” – a tune he did with his norwegian buddy rune lindbaek, that is dancing a cosmic dance and that was never released on vinyl before. the three other works are crossing different territories. the eight minutes meditation “pumapunku” marries balearic flair with otherworldly synth-spheres. the also epic “inner piece” opens the house box with waving basslines, furious chord suspense and some unexpected breaks. the final is marked by “lonely without you” - a funky blue tune that brings in some peoples potential unlimited vibes for endless autobahn rides. another heartfelt arranged mix off instruments, synths, samples and drum machines by eddie c, the heartfelt canadian in berlin.

remixes by avalon emerson, lena willikens, kim ann foxman and borusiade ! &#923,,,&#941,,,&#957,,,&#945,,, &#928,,,&#955,,,&#940,,,&#964,,,&#969,,,&#957,,,&#959,,,&#962,,, (lena platonos) is a greek musician, pianist and music composer. her debut solo album, &#924,,,&#940,,,&#963,,,&#954,,,&#949,,,&#962,,, &#919,,,&#955,,,&#943,,,&#959,,,&#965,,, (sun masks) was produced in 1984 and reissued by dark entries in 2016. the album featured experiments with different sounds and a new batch of electronic equipment, such as the roland tr 808 drum machine and yamaha c60 synthesizer. lena narrates each song in deadpan fashion, skillfully reciting her surreal greek poetry. her lyrics deal with the futility of love, the gap of human relationships, consumerist alienation in the bourgeois lifestyle of the 1980s.

all djs and producers around have at least one secret weapon to play. this series curated by marvin & guy is the equation that joins together very special edits from very special artists. it will be out in three volumes in different colours: first black, second grey and third white.
the equation series are being released exclusively on vinyl, a limited edition of 300 copies, no digital formats will be released, and distributed by kompakt. with equation 3 the a-team is back once again and they have changed players for this third and last half. this time they bring along the madrileño who mixes movie trailers as well as house classics, the frenchie living in the big apple who once started his career rocking the piano at the conservatory, the german who makes compilations of weirdo 80ies jams in his spare time and the irish guy living in the land of the round butts nowadays, but once ruled the nyc disco scene fully on his own.

percussive drive and rugged atmosphere defines the fifth rashim 12-inch, where the body takes over the mind. this esoteric style not previously presented by abdulla rashim, confirms his ability and talent to further confirm hes someone to trust. exploration leads to innovation, and this is a prime example of shaping atmospheres into different styles.

moss co. returns with rising italian star noha for a thoughtful 3 tracker remixed by label boss archie hamilton. loopo di mare on the a1 is a positively groovy affair. rolling percussion and driving stabs modulate and talk to each other playfully, punctuated by big pad sweeps and mini breaks keeping the dance floor enthralled, the kind of track that could be deployed effectively at any time of night and have a different result each time. cat takes a more heads-down approach. loose and lively percussion meets a concurrent synth, sustaining pressure throughout the intro, hinting at deeper message which is finally delivered in the form of a powerfully emotive lead. guaranteed eyes-closed, heads down. archie hamilton toughens up the percussion in his interpretation of cat on the flip side. driving bass meets crisp highs, tight drums and a hypnotic, distant vocal. the lead is kept until the first break where it is used to great effect - kept close to the original, but with added warmth and distortion. a tried and tested dance-floor bomb.

shelter is a young french producer based in paris, he released edits on mellah, edits du plaisir and edits du golem and production on plaisir partagé, uber and international feel in the same serie that jan schulte or cfcf in just 2 years.he s graphist designer for plaisir partagé. banzawa is the new shelter, a 2 tracks ep focing on balearic and eletronic music, but influenced by italo house and zouk. he composed with roland tr 707 and korg m1. bazawa, the a side, is a journey into a mysterious jungle in a european night club in the 90 s, the kind of underground italian sound with a beautiful ushuaia flute catchy bassline. this is a travel invitation, between trance, house, and new age, a balearic meditation for dancing.the b side is pickolo, a jumping track, where marimba and whistle gives the full cadence of the song, a mix of nice melody and afro rhythm, a jungle by day, cute and animated. for the same price, shelter proposes two different mood, two different vison of house music, two different way for dancing.

“superbacana” marks the return of s-tone inc., an ep that anticipates a new album due to release in autumn 2017. produced by stefano tirone, who co-wrote all the tracks with tomaz di cunto - alias toco - it contains four tracks (one in two different versions) with a funky brazilian flavour, inspired by the black rio sound that represents the encounter between samba and the american soul funk music since the ’70s. an outstanding groovy effort that raises the expectations on what s-tone inc. will produce in the nearby future...

modularz presents a special edition release taking a bit of a different approach to whole getting deeper and focusing on the details that make it happen on the floor ! this is a solid 4 track techno banger written and produced by juxta position who was previously featured on dvs1 s mistress recordings, rhythm nation and his own failsafe imprint, the release displays great razor sharp percussion with melancholic synth lines, whilst serious sub bass shifts much air and shimmering moods filter across the mid range. this is another one of those never leaves the bag eps play it loud!!

“sadly, the future is no longer what it was (part three: memories live longer than dreams)” from leyland kirby on double vinyl, limited to 450 copies.

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

ol is coming back to gost with his first double lp - a one hour masterpiece that sums up his research of the soviet sound heritage. the album titled “height difference” fluctuates through different genres and tempos reflecting the ups and downs of daily life. this refined and sincere work showcases the talent and unique sound of a prolific russian producer.

for this second release, we have assembled 4 tracks for the dance floor! on side a, we begin with a powerful house track -wurly- by vitess, young french talent and followed by an energetic soul funk -paradis fiasco- from bwi-bwi (fr / lüüd discs / strctr records). we continue on side b with gzz (fr / sure cuts limited) and his -provence state of mind- fat rhodes and funk loop track. we finish with -nyc bumpin- in the pure chicago style by reece johnson (uk / 124 recordings / nervous records) we tried to make a record with different styles for different people.

hand stamped, vinyl only! the fourth coffee pot release shows the different sides of the italian duo, from the a-side groover spread the message , to the trippy melody drone , to the deep hypnotic nuevaera . early support from paul ritch, luca agnelli, drumcomplex, greg gow, don rimini, 2000 and one, gel abril, carlo lio, duncan gray, daniel sanchez, depthon, gemini brothers, brother s vive, last waltz, marco effe, mental resonance

the legendary moscow club propaganda celebrates its 20th anniversary in april 2017 and launches a brand new record label. the label will cover different styles of intelligent electronic music, focusing on techno in the first year. at the beginning there will be released music by great artists who had performances at propaganda club in past. more artists will be involved and more excellent music will be released over time.

bringing his signature sound to crosstown rebels, delightfully unconventional producer sis delivers his third release on the label, the blind side. hot on the heels of his boabab album on mobilee, rodriguez jr. delivers a stunning remix on the b-side. the blind side is set to soundtrack the summer, an incredibly infectious track with its exotic and intricate drum workouts and alluring vocal cuts. on the flip, rodriguez jr. brings in deep pads, uplifting melodic keys and a storming piano lines for a whole new take on the original. taking his artistic enthusiasm from his turkish father, sis grew up in berlin surrounded by music. following a series of releases on nick curly’s cecille, ricardo villalobos who loved his track trompeta so much that he released it on his boutique label picked up the german producer sei es drum in 2008. his success of trompeta led to an avalanche of recognition, groove magazine and ‘newcomer of the year’ by raveline mag named him both ‘producer of the year’. in 2011 sis launched his own label cocolino where he released his debut three-part album dejame. olivier mateu aka rodriguez jr. grew up in the south of france and moved to paris as a young adult and soon formed the electro group the youngsters. signed by laurent garnier to f communications, the duo released two albums and a string of successful singles. focusing on a different alias, rodriguez jr. gave olivier the freedom to run with his creativity, which can be seen in his acclaimed live shows.

panic sounds records is an emerging berlin-based label run by italian producer lorenzo panico. focused on all aspects of house and techno, the label promises a wide remit of different sounds, many of which come to the fore on their debut release, sixfingers quite brilliant x ep.

greyhouse is dutch producer marcel hol. this originally came out in 1990 on hip hop label - and now reissued by dark entries with different tracklist that also includes a jared wilson remix

we follow up our debut release by stl with a dancefloor oriented ep by scotsman cain. for those new to cain, a regular on highlife records (a sub-label of huntleys & palmers), you have been missing out. he’s known for fusing his love of traditional music from around the world with infectiously rhythmic drum pattern writing, stand-out melodies and futuristic bass work. and this release is no different. seeing as we are a record label based in the middle east, cain jumped on the opportunity to dig for arabic influenced drums and rhythms to build the ep around. the results are dope! and just in time for the summer season.

1st release in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties- tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we found them so good that we were almost forced to start this series. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.